Part black comedy, part character study, it is a riveting comedy and Stray Cat Theatre's production has superb performances, excellent direction, and impressive creative aspects.
This witty play was a hit Off Broadway last year. Dufault has created colorful, realistic characters and situations, and his skill in finding words to portray the thoughts of Odysseus Rex is amazing. Austin Kiehle is nothing short of miraculous as Odysseus Rex. He perfectly embodies Odie and brings the cock to vibrant life. Kiehle has the physicality down perfectly—he struts around the stage, with jerky head and body movements, exactly like a bird. But it is his way of speaking and delivering the many thoughts, feelings and comments that Odie has of pain, suffering, confusion, love and an intense hatred, that culminate in a performance you won't soon forget. Likewise, Ron May is just as good as Gil. May's portrayal has similar shades of pain and love but also a fierce drive and obsession with what he believes is his meal ticket up and out. Gil Pepper is a broken man, and May lets us see his frustration, peek inside his suffering, and endure with him the pain he encounters from the humans in his life and the sheer joy and love he has for Odie. Like Kiehle's portrayal of Odie, May's is an impressive performance.
Louis Farber is appropriately slimy as the promoter who is always putting Gil down, and Farber also gets to show off his slick fighting capabilities as Bat Dolphin, the wise, all-knowing cock who might have just met his match in Odie. As Gil's McDonald's manager Philipa, Osiris Cuen is a spitfire. She is feisty and just as driven and obsessed as Gil is, but with her career and her desire to make it to Walt Disney World Resort, also displays a sweet emotional center in her hot and cold relationship with Gil. Like Farber, Cuen also gets to inhibit a fowl in the play, and as Lucky Lady, a potential love interested for Odie, Cuen is a hoot. Katie McFadzen rounds out the cast as Gil's mom, a shut in, self-proclaimed disabled woman who is obsessed with her very old dog and her desire for Gil to bring home the honey mustard packets he steals from work for her. It's a small part but McFadzen displays her gift for comedy and drama in her daft portrayal.
Director Michael Peck has delivered a firecracker of a production, from the intense performances he gets from his actors to the superb creative elements and the impressive fight choreography from John Tang. It all comes together seamlessly to form a first rate production. Eric Beeck's effective set design separates the fairly large Tempe Performing Arts Center stage into separate playing areas that allow for speedy scene transitions. The impressive costume designs by Danny Chihuahua include a killer outfit for Odie and the other birds as well as character appropriate ones for the humans in the play. Ellen Bone's lighting and Pete Bish's sound design are vibrant and serve the play well.
Like Odie, Gil is a fighter and, while he always seems to be down on his luck, he keeps fighting on, hoping he will finally come out a winner. Year of the Rooster, while it may not have exactly the ending that one hopes for, is an intense, funny play and Stray Cat Theatre's production of it is quite a winner.
THIS IS AN ABRIDGED VERSION OF THE ORIGINAL REVIEW - READ IT IN ITS ENTIRETY BELOW
YEAR OF THE ROOSTER - REVIEW